Edition: 16. Signed in pencil, John Haley, lower right; numbered, 10/16, lower left; titled, Cain and Abel, lower center.

Image: 17 1/4 x 13 3/8 inches (438 x 339 mm). Sheet: 21 3/4 x 18 1/2 inches (527 x 470 mm).

Excellent condition. Good margins. Printed on white wove paper. Printed by Lynton Kistler, marked in pencil with his monogram (K in a circle) in the lower left corner. Accompanying the print is the original Lynton Kistler print shop authentication certificate.

$650.00

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Edition: 25. Signed and dated in pencil, John Haley  87, lower right; numbered and titled, 24/25  High Rise IV,lower left.

Reference: Ghent 1993.

Image: 6 x 9 inches (152 x 208 mm). Sheet: 11 x 15 inches (279 x 381 mm).

Excellent condition. Good margins. Printed on white Arches - France (watermarked) wove paper. Has never been either matted or framed. John Haley's home was near San Francisco Bay in San Pablo, California, The view across the Bay toward "The City," was the obvious influence for a number of images, including this one, produced by this excellent artist.  

$750.00

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"Mining the Gold Stope" circa 1936-1937, Lithograph.

Edition: 10. Signed in pencil, John Haley, lower right; numbered, 8/10,lower left; titled, Mining the Gold Stope, center.

Reference: Ghent 1993.

Image: 12 x 9 3/16 inches (304 x 233 mm). Sheet: 19 x 11 15/16 inches (482 x 303 mm).

Excellent condition. Good margins. Printed on off-white wove paper. A few handling marks in the far margins, top and bottom, but well away from image and essentially negligible. A painting, in egg tempera, of this same subject and title is dated 1936 (see Ghent 1993:62). In 1994 the painting was donated by the artist's wife, Monica Haley, to the Fine Arts Museums of San Francisco with the notation that the painting was the result of a Tucson, Arizona, visit.

$1,100.00

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Edition: Unique. Lightly signed, titled, and dated in pencil, lower right; Haley - Monument Valley - 6-20-69.

Dimensions of paper: 7 1/2 x 10 3/4 inches (190 x 273 mm).

Excellent condition. Painted full sheet on heavy textured rag watercolor paper. Haley made numerous trips to Monument Valley, Arizona, in his time away from teaching art at the University of California, Berkeley. A fine example of this artists landscape technique.

$400.00

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Edition: Unique. Signed in the image with charcoal, John Haley, lower right; titled and annotated on the reverse upper left corner, Mt. Tamalpais from Pt. Richmond (Ocean Avenue); 1935.

Image: 9 1/4 x 12 inches (235 x 304 mm). Sheet: 12 1/2 x 19 inches (317 x 482 mm).

Excellent condition. Good margins. Drawn on fine laid paper. Thumbtack holes at extreme margins, the product of being attached to the artists sketch board, they are well away from the image. The artist has defined the visual area of the drawing with ruled pencil lines.

An early drawing of Mt. Tamalpais by this important Berkeley School artist. John Haley moved to Point Richmond, California, in 1932 and would have viewed this scene from his studio. This drawing was the obvious inspiration for the lithograph, Tamalpais, produced in 1940 and published by the San Francisco Chronicle as part of their 1940 contemporary graphics program.    

$950.00

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Edition: Unique. Signed and titled in pencil, lower right front corner, John Haley, and Old Fort Lowell; titled and dated on the reverse upper left corner, Old Fort Lowell Ruin - 42.

Dimensions of paper: 13 7/8 x 20 inches (352 x 570 mm). Not framed.

References: McClelland and Last 1985:74; Ghent 1993; Nash 1995.

Excellent condition. Painted full sheet on heavy rag watercolor paper. A beautiful use of color in interpreting this well-known Tucson landmark. McClelland and Last (1985) comment:

This piece was obviously painted on one of John Haley's Southwestern visits. For additional information on Haley see Nash 1995.

$2,500.00

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