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Allan J. McIntyre
Fine Art |
TUCSON ARIZONA |
"The Graphic Work of Edwin Fulwider: A Catalogue Raisonne"
by
Allan J. McIntyre and Wayne B. Kielsmeier
Working for most of his life in the University system Edwin Fulwider
seldom found time to seek gallery representation for either his graphic
work or his paintings. In 1973, he retired from academia and retreated
to Lakeview Landing, Bayview, Idaho, where he continued to paint and
occasionally print new images. In the fall of 1992, he and his wife
moved to Green Valley, Arizona.
Over the course of his professional term Edwin Fulwider witnessed great
interest in his art, and later disinterest, as abstract expressionism
and other "modern" art forms took the publics and the critics fancy. He
was honored toward the end of his life to see a resurgence in American
Scene art and to be included in retrospective exhibits.
Edwin Fulwider's graphic work, illustrated in this catalogue, comes mostly, and
posthumously, from the artist’s storage area where many prints had lain
unseen by anyone but the artist, in some cases, for more than fifty years.
Working extensively with the notes
of Edwin Fulwider, autobiographical information, and family oral history, a
comprehensive chronology was developed. The chronology presents data
relating to his printed work, as well as to his painting. To see examples of
Edwin Fulwider's graphic work
click here. Specifics: Contents: ORDERING: To purchase copies of the catalogue through
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Edwin Fulwider in The Hermitage studio
preparing a lithographic stone, Brookville, Indiana, 1940.
"The Maestro"
The Graphic Work of Edwin Fulwider: A Catalogue Raisonne
presents specifics on over 180 fine prints created by American
artist Edwin Fulwider (1913-2003) over an approximate 55-year period.
The catalogue begins with his first lithograph Steel, produced as a
student at the John Herron Art School in Bloomington, Indiana, circa
1935, and ends with his production of serigraphs, woodblocks, and small
lithographs in the late-1980s.
The American Scene was a remarkable development in American Art, one with a
profound influence upon the artist and public alike. When Benton, Wood,
and Curry left the studio flower arrangements and posed still life, the
public received its greatest shock. It learned that art is wherever
there are artists.
Specializing in fine
prints and art on paper by graphic artists and printmakers
of the American desert Southwest, primarily Arizona and New Mexico,
created before 1950.
Copyright © 2003-2008 Allan J. McIntyre Fine Art. All Rights Reserved.